Ashanti / Asante, Ghana      

The Ashanti live in central Ghana in western Africa approximately 300km. away from the coast. The Ashanti are a major ethnic group of the Akans in Ghana, a fairly new nation, barely more than 50 years old. Ghana, previously the Gold Coast, was a British colony until 1957. It is now politically separated into four main parts. Ashanti is in the center and Kumasi is the capital.

To the Ashanti, the family and the mother’s clan are most important. A child is said to inherit the father’s soul or spirit (ntoro) and from the mother a child receives flesh and blood (mogya). This relates them more closely to the mother’s clan. The Ashanti live in an extended family. The family lives in various homes or huts that are set up around a courtyard. The head of the household is usually the oldest brother that lives there. He is chosen by the elders. He is called either Father or Housefather and is obeyed by everyone.

Marriage is very important to Ashanti communal life and it can be polygamous. Men may want more than one wife to express their willingness to be generous and support a large family. Women in the Ashanti culture will not marry without the consent of their parents. Many women do not meet their husbands until they are married. Even so, divorce is very rare in the Ashanti culture and it is a duty of parents on both sides to keep a marriage going.

The government of Ashanti is shaped like a pyramid. There is one king and he heads the Ashanti Confederacy Council, a group made of paramount chiefs. A paramount chief presides over district chiefs. A district chief presides over a District Council of Elders, which is made up of subchiefs. Villages are brought together by a subchief. Within every village there is a village head council made up of all the heads of households

The Ashanti religion is a mixture of spiritual and supernatural powers. They believe that plants, animals, and trees have souls. They also believe in fairies, witches, and forest monsters. There are a variety of religious beliefs involving ancestors, higher gods, or abosom, and ‘Nyame’, the Supreme Being of Ashanti. The Ashanti also practice many rites for marriage, death, puberty, and birth. The golden stool is sacred to the Ashanti. There is an elaborate legend surrounding it that is told by the old men of Ashanti. The golden stool is very carefully protected. No one has ever sat on it and since its arrival, it has not touched the ground. As an Ashanti symbol, the golden stool represents the worship of ancestors, well-being, and the nation of Ashanti.

The Ashanti have a wide variety of arts. Bark cloth was used for clothing before weaving was introduced. With weaving, there is cotton and silk. Women may pick cotton or spin materials into thread, but only men are allowed to weave. There are different patterns in weaving, each with its own name. Sometimes the pattern represents social status, a clan, a saying, or the sex of the one wearing it. Patterns are not always woven in the cloth. It can also be stamped on in many designs. Pottery is a skill that is taught to a daughter by the mother. There are many stages to making pots and there are many colors of clay available. The Ashanti also do woodcarving and metal casting.

Written By: April West

Information kindly provided by Emuseum

The Asante are also well known for their ceremonial stool carvings, an curved u-shaped seat, over a base, referring to a proverb or a symbol of wisdom. The Asante are famous for their ceremonial stools carved with an arched sit set over a foot, referring to a proverb or a symbol of wisdom. They are usually made for a chief when he takes office and are adorned with beads or copper nails and sheets. In rare cases, when the chief is sufficiently important, the stool is placed in a special room following his death to commemorate his memory. Ashanti chairs are based on 17 century European models and, unlike stools; do not have any spiritual function. They are used as prestige objects by important chiefs during festivities or significant gatherings.

Also are produced staffs for royal spokesmen, which, like the handles of state swords, are covered in gold foil. The success of the Ashanti Empire depended on the trade in gold not only with Europeans at the coast but also with the Muslim north. Gold dust was the currency, weighed against small brass weights that were often geometric or were representations recalling well-known proverbs. Asante weavers developed a style of weaving of great technical mastery, incorporating imported silk.

The Asante developed remarkably diverse kuduo containers cast of copper alloys. Kuduo were used in many ways. They held gold dust and other valuables, but could also be found in important political and ritual contexts. Some kuduo were buried with their owners, while others were kept in the palace shrine rooms that housed the ancestral stools of deceased state leaders. Life and the afterlife, the present and the past, were enhanced and made more meaningful by the presence of these elegant prestige vessels

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