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Lwlwa /
Lulwa / Lulua,
D.R.C
The Lulua, also
known as the Bena Lulua settled in the southern part
of DRC after migrating there from western African
during the 18th century. This migration was due to
the Luba incursions from the east and the north. The
Lulua is an umbrella term incorporating a large number
of heterogeneous peoples populating the region to the
south of the Kuba kingdom between the Kasai and
Sankuru rivers. Living in small regional chiefdoms,
they come together in times of crisis electing a
single common leader for the people. The village
chiefs’ role is to ensure judicial, political and
social cohesion among the Lulua. The Lulua economy is
agriculturally based, though they do also trade.
Lulua sculpture is
elegant and graceful, with complex scarification on
the neck, abdomen, face and limbs, which recalls old
Lulua customs, now long gone due to scarification use
being banned in 1888.
Most of the carved
figures are commissioned for use in religious
association concerned with issues of childbirth and
human fertility. These maternity figures aided
pregnant women, who were part of the Bwanga Bwa
Chibola society, during pregnancy and after the birth
of their child. When a woman loses children through
miscarriage, stillbirth or postnatal death, witchcraft
is suspected. An appeal is made to a diviner for
advice, and the problem may be attributed to the
ancestor spirit chibola or tshi-bola. After being
initiated into the society, a woman may be given one
or more figures depicting various aspects of
motherhood.
The scarification
that adorns these figures alludes to more than just
the tradition of scarification as body decoration.
Concentric scarification enhancing the swelling navel
is only for referring to the link between mother and
child as well as referencing the close connection with
ancestors and the importance of the continuity of
generations. Beautifully formed, bulging eyes are a
reference to the individuals ability to recognize the
negative energy and the intent of bewitchers in time
so as to avoid harm.
With the aid of
various rituals, the beauty of the carved figure, its
precise scarification and superb coiffure is thought
to attract the chibola ancestral spirit. The chibola
would then be reborn into the next family infant, thus
ensuring the child’s survival into adulthood.
Lulua carvers are
also very well known for their carved ancestor figures
that carry weapons and shields, representing the ideal
warrior known as Mukalenga Wa Nkashaama. These were
often carved for chiefs to allude to their position
and are fairly rare, part of the leopard chief, the
highest ranking of the chiefs. The leopard chiefs are
believed to have a spiritual connection with the
leopard, and are able to draw from its power acting as
the intermediary between the living and the dead.
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