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Yoruba, Nigeria
The Yoruba tribe
live on the southwest coast of Africa in Nigeria and
can also be found in the eastern Republic of Benin and
Togo. The majority of the slaves brought to the
Americas were from West Africa, Yoruban descendants
can also be found in Brazil, Cuba the caribbean and
the United States. Yoruba is a colonial term coined in
the mid-nineteenth century as a common name to
identify the Nago, Egba, Egbado, Ijubu, Ijesa, Oya, as
well as other groups of people. The tribe is known for
their art with beads, ivory, and brass. The earliest
evidence of artistry in the Yoruba tribe dates back to
about 8000 BCE. Yoruba art frequently depicts
creatures that are composites of human, animal, bird,
and fish forms.
The Yoruba have a
story of how the Yoruba kingdoms were created, Odua
became old and blind. He told his sixteen sons to go
to the ocean to collect salt water to cure his
blindness. None of his sons, except the youngest,
Obokun, brought any saltwater back. Odua washed his
eyes with the saltwater and his blindness was cured,
however when he opened his eyes, he saw that his land
and all his crowns except for the one on his head had
been stolen from him by his sons. Obokun was the only
son of his who took nothing from him. Odua thanked
Obukun by giving him a sword as a gift. Obokun then
went to Ilesa and became king. Odua's sons also built
large kingdoms. The kings that rule even today are
said to be ancestors of these sixteen kings.
The Yoruba tribe are
worshippers of the Goddess of the Earth. They create
ornaments with complex symbols and designs to show
their status and beliefs. Ancient ritual procedures of
elevation and separation are central in Yoruba beliefs
and practices, many of the rituals are still practiced
today. For instance, at particular moments the feet of
a ruler or chief must not be in contact with the
earth. To convey their superhuman status the chief
would wear beaded shoes and place their feet on beaded
cushions. The Yoruba tribe believes that women have a
dual spiritual force that can make them either mothers
or sorcerers. Festivals are held wearing Gelede masks
to evoke the beneficent image of the role of women.
The Gelede masks are worn on top of the head and bear
human facial features, on top of the head it is carved
forming an elaborate coiffure or representation of
some kind of human activity.Gelede masks have
decorative facial scars and almond eyes which are
typical of Yoruba women. In northern Yoruba kingdoms,
another mask, the epa mask is found. The Epa cult
wear these masks during funerals or rited of passage
ceremonies, epa masks can differ greatly depending on
the area or village in which they appear. WHen not
worn these face masks are kept in shrines where thay
are honored with libations and prayers. Egungun
headresses are worn during the annnual Egungun
masquerade, but are also worn during during funerary
ceremonies held after the death of an important
dignitary and in inititation ceremonies. They are
representative of heavenly creatures, known as Ara
Orun, capable of bringing good fortune or punishing
the guilty.
Beads serve as
symbols of status, tools for history review,
protective charms, seduction accessories, and
declaration of beliefs. Beads have been a trade item
since early times. The Yoruba of Nigeria were some of
the earliest makers of glass beads in the region.
Beads can represent temperament, empowerment, desire,
wealth, and well-being. When threaded together beads
stand for unity and togetherness. When encircling
parts of the body (head, neck, arms, wrists, waist,
legs, ankles, and toes) beads secure the spiritual
essence of the person. Beads were originally made from
shell, bone, wood, seeds, and clay. Later they were
made from metal, ivory, glass, and stone. Beads made
from certain materials represented specific wants,
beliefs, and status. The grant land snail is one of
the oldest, most easily attained and abundant food
sources for the Yoruba. Wearing its shell symbolizes
the hope of a long and peaceful life. Beadwork was
used to decorate jewelry, belts, shoes, cushions,
furniture, sculptures, paintings, clothing, and head
coverings. The veil on many beaded head coverings
covers the face of a chief to protect commoners from
looking directly at a so powerful being. Beadwork in
metal, glass, and stone was used to distinguish its
owner in both life and death.
The Yoruba tribe is
known form their work in metal, particularly brass.
There is a close symbolic association between metal
and power. Bronze collars are a currency exchange for
wives, livestock, and food. Married women wear the
collars permanently for the prestige they confer.
Brass casters created many elaborate items such as
stools, large statues, staffs, bells, and currency.
The Yoruba tribe is
also known form their art in ivory. Their ivory pieces
can be distinguished by their facial features. Some of
the feature are separated lips, half-lowered eyelids,
a flattened wide nose, and an indented hairline. Often
the decorations appear flat or carved in low relief.
Yoruba ivory often has decorative textured patterns.
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